Another music [thing]
I was very please today to find in my mailbox a complementary calendar from Martin that they sent to Martin Owners Club members.
Thank you guys, your guitars are awesome! I can’t stay more than one day without playing my 00-18. 😉
I like the Lace Alumitone tone since I installed one on my Gibson Les Paul CM and I wanted more possibilities for my SG. So, I went ahead and tried something.
My SG had Classic ’57 PAF and I don’t like them so much on this guitar. They are were perfect on my ES-339 but I wanted something different on the SG.
I needed an electroacoustic guitar to improve the covers recordings I am currently into. I was first aiming at a Gibson J-200 or maybe a Songwriter but I was so in love with the sound of my Sigma GCS-1 that (just before the Coronavirus crisis started) I finally pulled the trigger on the guitar I thought it was based on: the Martin 00-18.
Continue reading “My favorite acoustic guitar”
This story started with my wish to use both my acoustic and electric guitars on my acoustic Marshall AS100D.
The pedalboard setup started with the MESA/Boogie V-Twin that would give me the crunch for the E-guitars but it soon began to appear more complicated when I thought about using my Line 6 PODxt Live in the FX loop and ended up replacing it with the Line 6 HX Stomp.
Let’s summarize:
1 amp with 2 guitar channels: Channel #1 for the Line 6 Acoustic Variax + Channel #2 for my electrics (and my Martin electro acoustic to come).
My goal was to set and “build” a pedalboard that would be as efficient and compact as possible.
Continue reading “Pedalboard setup”
OK, I’ve got nice guitars and precious ones, precious to me at least because I am no Rockefeller. And because I am not Rockefeller, I wanted to have a guitar I could carry without much anxiety of breaking something.
Apart from these considerations, I am a big fan of Les Pauls (if you still wondered) but also an esthete and a man full of contradictions.
Having all these parameters in hand, I headed to a Gibson Les Paul Standard T with its QuickConnect PCB (printed circuit board) offering the versatility of coil taping, pure bypass and phase reversal. As for the color, I chose something I didn’t have yet but stil in a “classical style” (pink is not for me): the Bourbon burst.
If you ever had a brand new Gibson USA guitar in hands, your nose must have been saturated by this famous vanilla smell. It was the case for me and I immediately associated this guitar to a piece of caramel that I would savor next to a warm fireplace while it’s cold and rainy outside.
From this image came the name of this guitar: ‘Autumn Treat’.
Furthermore, I like to customize my stuff, that’s why I added some white sugar crystals with a mother of pearl switch tip and mother of pearl tuner buttons.