Adding a little punch to the microphone

To be honest, I bought the t.bone GM55 mainly for the look but I ended up keeping it because of its great audio qualities with regard to its low price. It has one major issue though: you have to push the gain/volume to the max if you want to hear something.

Fortunately, every problem has a solution… hopefully. In the case we are interested in there is one that works: the TritonAudio FetHead!

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New look for my Marshall 8240

I hardly remember my first amp. It was black and green with linear equalizer pots but I totally forgot the brand. It was good enough to learn how to play guitar on my first Aria Pro II (red and black Strat-like) but I ended up selling both because they didn’t pass the gigs test. I replaced the guitar with another Aria Pro II, the TA-60 and later on with the Samick SCM-1B when things got serious. Regarding the amp, I set my sights on the Marshall Valvestate 8240 Stereo Chorus which was working very well with my “pedalboard” (CryBaby and Korg A4).

We were in 1993. Since then, you can imagine the amp aged a lot!

I can’t count the times I carried this amp from smoky rehearsal rooms to my place, friends places, bars, shows and festivals stages. To finish with, my cat puked on it (several times) and so did he on my PODxt live years later…

That’s why I decided to give this amp a “little” refresh and why not start a complete makeover with on my todo-list:
• Ivory tolex
• Brushed silver face plate
• Silver pot buttons
• Black power switch
• Grey grill cloth
• Side handles

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